There may be R.E.M. songs that I am into at a particular moment–and I love pretty much all of the old stuff (1987 – Document and before), but if I had to name a favorite R.E.M. song of all time, Driver 8 is it. This haunting tune of trains and the South is the first R.E.M. song I ever heard and hooked me for life in 1985.
This was the first R.E.M. song I ever learned to play, and I learned it with pretty much the traditional chords and with an intro that was done by ear and not by how PB actually played it.
How I first learned it:
Chorus: D, Cadd9
Bridge: Dm, F, G, D
So how about this! First live performance of the song on the Passaic/Capital Theatre concert video:
They cut it out in the above video (which has good video quality), but below Michael Stipe is saying “This is a new song”–I think that’s incredible. This was only 18 months before I saw them in Richmond. [Unfortunately, the video is no longer available]
Now I never saw this video until now–but it clearly shows PB playing that D in the chorus up on the neck like this.(incidentally, this is the same chord from the verse to Maps and Legends minus one finger–I read or saw an interview somewhere that PB was experimenting with Em and D chords during that period).
Another thing you can also see in the Passaic video is the way he plays the end of the Chorus (still aways away): it is with the top 3 strings, but he does not keep a finger on the 2nd string (A string) second fret. He does that the fist go around, then plays the bottom two strings open with the F# and G notes on the E (E) string. I don’t do tabs, but I just found a neat Tab creator, and it looks like this:
So without this great footage from Passaic, and before the internet and YouTube, I learned the way Peter Buck played the D chord from this video of it being played acoustically whenever it was released on VHS (1980’s sometime, I think):
In that video, you can clearly see how he plays the intro as well as this neat part about the bridge (which never sounded quite right to me just playing the G chord–and you can’t see that in Passaic, but you can hear it!). In the Bridge, PB plays a partial bar chord for the G:
So you put it all together for a great rendition of Driver 8 that I think is close to the way PB played it:
Ask Michael Stipe, Question:
In the final verse of Driver 8, I have always believed that Michael was singing: “We finally did this song in a plane like that one…” And 23 years later, boy howdy I sure would like to know what he meant by that.
And that’s it. That’s all I’m gonna ask. For a few years there, I used to sing “Driver 8″ at least once a day with my college roommate/world-travel-and-busking partner (who has actually gone on to become a semi-famous musician in her own right), and every time we sang it, we’d sorta be thinking of whatever “plane” we were in or on or experiencing that day. I sure would love to be able to call her up and tell her that I finally figured out precisely which plane we were supposed to be in!
he piloted this song in a plane like that one,
she is selling faith on the ‘go tell’ crusade